With AI as her first interlocutor—a fascinating and deceptive tool at the same time—Sara explores possible futures, but not from the grandiloquence of distant worlds or metallic utopias. There are no neon lights or interstellar cities here. What we find is an everyday scenario that is cracking: a girl who has never seen a flower, a young man who dreams of the 50th floor, an AI who prays, a roulette wheel that dispenses water, an algorithm that rejects applications. The result is a collection of 10 independent and simultaneous stories, as if it were a visual interpretation of Rúnarsson's Once Upon a Time in Christmas. There, as here, everything happens at once, but in different places, a possible story, in, 'Vertical', 'Because despite all, I still exist', 'Artificial Religion', 'Betting House'... each title captures an entire world. Sara doesn't just imagine, she constructs. She doesn't just describe, she questions.